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Marcel Dzama

Born in 1974. Lives and works in Winnipeg, Canada

University of Manitoba, Winnipeg, Canada, B.F.A. (first class honors)

2006               Marcel Dzama, Centre for Contemporary Arts, Glasgow, Scotland.
                          Marcel Dzama, IKON, Birmingham, UK [catalogue]
                          Marcel Dzama, The Richard L. Nelson Gallery & The Fine Arts Collection, UC Davis, Davis,

2005               The Course of Human History Personified, David Zwirner, New York, NY [catalogue]
                          The Lotus Eaters, Centre d’art Santa Monica, Barcelona, Spain [itinerary: Le Magasin
                          Centre National d'Art Contemporain, Grenoble, France]

2004              Marcel Dzama, Christophe Daviet-Thery Livres et Editions d'Artistes, Paris, France
                         The Albatross Note, Galleri Magnus Karlsson, Stockholm, Sweden
                         The Last Winter, Timothy Taylor Gallery, London, England
                         Marcel Dzama, Sies + Höke, Dusseldorf, Germany [catalogue]
                         Marcel Dzama, Olga Korper, Toronto, Canada
                         Bears in My Room: Works on Paper by Marcel Dzama, Second Street Gallery, Charlottesville,

2003              Marcel Dzama, Richard Heller Gallery, Santa Monica, CA
                         Marcel Dzama, David Zwirner, New York, NY
                         Marcel Dzama, Rizziero Arte, Pescara, Italy
                        Marcel Dzama: More Famous Drawings, Art Gallery of Windsor, Windsor, Ontario, Canada
                        Daily Apocalypse: One Drawing by Two Artists, Perugi Artecontemporanea, Padova, Italy

2002              Marcel Dzama, Sies + Höke, Düsseldorf, Germany
                         Drawings for Dante, Timothy Taylor Gallery, London, England

2001               More Famous Drawings, Mendel Art Gallery, Saskatoon, Saskatchewan, Canada [Olga Korper
                         Gallery, Toronto, Canada; Saidye Bronfman Center for the Arts, Montreal, Canada; Agnes
                         Etherington Art Gallery, Kingston, Canada; Art Gallery of Calgary, Calgary, Canada;
                         Susan Whitney Gallery, Regina, Saskatchwan, Canada; Laforet Galleries, Tokyo, Japan]
                         Galleri Magnus Karlsson, Stockholm, Sweden
                         Marcel Dzama, Greg Kucera Gallery, Seattle, WA
                         Marcel Dzama, Monica de Cardenas, Milan, Italy
                         Marcel Dzama, Diehl Vorderwuelbecke, Berlin, Germany
                         Marcel Dzama, Galleria No Code, Bologna, Italy
                         Marcel Dzama, Richard Heller, Santa Monica, CA
                         Marcel Dzama, Olga Korper Gallery, Toronto, Canada
                         Marcel Dzama, Greg Kucera Gallery, Seattle, WA

2000               David Zwirner, New York, NY
                          Sies + Höke, Düsseldorf, Germany
                          More Famous Drawings, Plug In, Winnipeg, Canada [Morris and Helen Belkin Art Gallery,
                          University of British Columbia, Canada]
                          Zeichnungen + Video, Diehl Vorderwuelbecke, Berlin, Germany

1999                Richard Heller Gallery, Santa Monica, CA
                          Greene Gallery, Geneva, Switzerland
                          Casa Triagulo, Sao Paulo, Brazil
                          Espaco p Producoes, Rio de Janeiro, Braxil

1998                Espace Purplex, Rio de Janeiro, Brazil
                          Casa Triangulo, San Paulo, Brazil
                          ArtPace Foundation, San Antonio, TX
                          Richard Heller Gallery, Santa Monica, CA
                          ArtForum Berlin, Berlin, Germany
                          David Zwirner, New York, NY
                          ArtPace, San Antonio, TX

1997               Marcel Dzama, Richard Heller, Santa Monica, CA


2005                Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen
                           Gallery, New York, NY
                           Eccentric Modern, The Foundation To-Life, NY
                           The Gallery, Magnus Karlsson, Stockholm, Germany
                           Max Ernst and the tradition of the Modern, StäDtische Kunsthalle Mannheim, Mannheim,    
                           Drawing Narrative: Laylah Ali, Will Crow, Marcel Dzama, Drew King, Craig Kuica, Elaine Lynch,
                           Chirs Oliveria, Robyn O'Neil, Jane South, The College of Wooster Art Museum, Wooster,  OH.
                           Tres O Cuatro Historias, Galeria Helga de Alvear, Madrid, Spain.
                           Dear New Girl or whatever your name is, Jack Hanley Gallery, San Francisco, CA [catalogue]
                           New Work/New Acquisitions, The Museum of Modern Art, New York, NY
                           Security Check: Painting after Romanticism, Arndt & Partner, Zurich [catalogue]
                           Le Melange des Genres: Creatures Hybrides et Mysterieuses, Musee des Beaux-Arts de Rouen,
                           Rouen, France
                           The Royal Art Lodge: Serpentine Musings, The Douglas Hyde Gallery, Dublin, Ireland [catalogue]
                           pensieri dei serpenti by The Royal Art Lodge, Perugi artecontemporanea, Padova, Italy [catalogue]
                           Surface, Lucas Schoormans Gallery, New York, NY
                           The Royal Art Lodge: Venetian Works at Caffé Florian, Caffé Florian, Venice, Italy [catalogue]

2004               Diaries and Dreams: Drawings, Ursula Bickle Foundation, Germany
                          Bears in My Room: Works on Paper, Second Street Gallery, Charlottesville, VA
                          Paradiso e Inferno, Galleria di Piazza San Marco, Dorsoduro, Italy
                          À Fripon, Frion et Demi, Pour une École Buissonnière, Collection Lambert en Avignon, Avignon,
                          Galerie Anne de Villepoix, Paris, France
                          The Royal Art Lodge: Pride in Workmanship, The Houldsworth Gallery, London, United Kingdom
                          Nieva Negro, PhotoEspaña2004 International Photography Festival, Madrid, Spain
                          Bande Annonce, Véronique de Bellefroid & Bernard Prévot, Brussels, Belgium
                          Funny Cuts: Cartoons and Comics in Contemporary Art, Staatsgalerie Stuttgart, Stuttgart,

2003               Royal Art Lodge: Ask the Dust, The Drawing Center, New York, NY [itinerary: Power Plant,
                         Toronto; De Vleeshal and De Kabinetten van De Vleeshal, Middleburg, the Netherlands;
                          Seoul Museum of Art, Seoul, South Korea; Elaine L. Jacob Gallery, Wayne State
                          University, Detroit, Michigan; The Museum of Contemporary Art, Los Angeles,
                          For the Record: Drawing Contemporary Life, Vancouver Art Gallery, Vancouver, BC, Canada
                          The Great Drawing Show 1550-2003, Michael Kohn Gallery, Los Angeles, CA
                          Odd Fellows, Pennsylvania Academy of the Fine Arts, Philadelphia, PA
                          Rendered, Sara Meltzer Gallery, New York, NY
                          Sweet Tooth, Mixture Contemporary Art, Houston, TX
                          Zwischenbilanz, Kunstforum Baloise, Basel, Switzerland
                          MosaiCanada: Sign and Sound, The Seoul Museum of Art, Seoul, Korea

2002               Fantasyland, D’Amelio Terras, New York, NY
                          ONE THOUSAND WORDS, John Kohler Art Center, Sheboygan, WI
                          Fantasy Underfoot, Corcoran Biennal, Washington, D.C
                          Expect: Art, The What to Expect Foundation, New York, NY
                          La Biennale de Montreal 2002, Montreal, Quebec, Canada
                          Short Stories, The Winnipeg Art Gallery, Winnipeg, Canada [catalogue]

2001                I ♥ NY, David Zwirner, New York, NY
                          I ♥ NY, Zwirner & Wirth, New York, NY
                          The Good, the Bad and the Ugly A Spaghetti Western, Museum of Contemporary Art, Denver, CO
                          Read All about it, Greg Kucera Gallery, Seattle, WA
                          Ziviler Ungehorsam, Die Sammlung Falckenberg, Hannover. Germany
                          The Royal Art Lodge, Perugi Artecontemporanea, Padova, Italy [catalogue]
                          Artpile: The Royal Art Lodge, Atelier Gallery, Vancouver, BC, Canada
                          The Royal Art Lodge: Amounts of Blood, Atycore, Toronto, Canada
                          Paperview, Espacio Minimo, Madrid, Spain [catalogue]
                          IN FUMO, Galleria of Modern and Contemporary Art, Bergamo, Italy [catalogue]
                          Amused: Humor in Contemporary Art, Carrie Secrist Gallery, Chicago, IL [catalogue]
                          W5: Five Winnipeg Artists Spanning Five Generations, Art Gallery of Southwestern Mantioba,
                          Brandon, Manitoba, Canada (catalogue)

2000                Artcore Gallery, Toronto, Canada
                           Dr. Wings, Galerie Air de Paris, Paris, France
                           Fall Survey, Douglas Udell Gallery, Edmonton/Vancouver, Canada
                           Babylon, Galleri Philomene Magers, Munich, Germany
                           Selections from The Manilow Collection, MOCA, Chicago, IL
                           Double Whammy, Atelier Gallery, Vancouver, Canada
                           Garage Video, North Dakota Museum, Grand Forks, ND
                           Garage Video, Plug In Gallery, Winnipeg, Canada
                           Greetings from Winnipeg, MCAD, Minneapolis, MN [catalogue]
                           Drawing Show, Chicago Institute of Art, Chicago, IL
                           The Drawing Show, Lizbeth Oliviera Gallery, San Francisco, CA
                           Drawings 2000, Barbara Gladstone, New York, NY
                           The Royal Art Lodge Presents, Atelier Gallery, Vancouver, BC, Canada
                           Royal Art Lodge Drawings, Helen Pitt Gallery, Vancouver, Canada
                           Selections from the Permanent Collection, Vancouver Art Gallery, Vancouver, BC, Canada
                           Canada 3 Perspectives, Fondazione Bevilacqua La Masa, Venice, Italy [catalogue]

1999                 Greetings from Winnipeg, Minneapolis College of Art & Design, Minneapolis, MN
                            Draw, Ten in One Gallery, Chicago, IL
                            Castelli di Carte, Galeria Claudia Gian Ferrari, Milan, Italy
                            Sit(E)ings: Trajectories for a Future, Winnipeg Art Gallery, Winnipeg, Manitoba, CA (catalogue)

1998                  Selections Spring ’98, The Drawing Center, New York, NY
                            For the Birds, The Figures, Great Barrington, MA
                            Laughing, Plug In Gallery, Winnipeg, Canada

1997                  Richard Heller Gallery, Santa Monica, CA
                             New Fun Video Show #7, Espace Purplex, San Paulo, Brazil
                             Wood Inc., Off-Ice Gallery, University of Manitoba, Winnipeg, Canada
                             Fresh Popped, Plug in Gallery, Anti-Chamber, Winnipeg, Canada
                             Gallery 1.1.1., Gallery 1.1.1., University of Manitoba, Winnipeg, Canada
                             Art for Healing, Walker Theater, Winnipeg, Canada
                             The Royal Art Lodge, Small Projects Gallery, University of Houston, TX

1996                   Fite Gallery, Winnipeg, Canada

CD cover for Beck; "Guero." 2005
Cover art for: Ngai, Sianne. Ugly Feelings. Cambridge, MA: Harvard University Press, 2005.
Illustrations for: Vowell, Sarah. Assassination Vacation. New York: Simon & Schuster, 2005.
Cerealart: manufactures figurines, salt and pepper shakers, and lamps based on Dzama’s artwork (2004-present)
Elliott, Stephen. Looking Forward It. New York: Picador Press, 2004.
LP and CD: Albatross Note: "I Love New York." 2003.
CD Design for Bridge: Stories and Ideas. Vol. 1, No. 3, (Fall/Winter 2001), back cover.
CD cover for stars like fleas; “Sun lights down on the fence.”
CD cover for The Weakerthans; “Reconstruction Site.”
“The Royal Art Lodge – Michael Dumontier, Marcel Dzama, and Neil Farber”. Uovo, N. Drawings, (2005),
pp. 9, 90-111.
CD cover for The Weakerthans; “Reconstruction Site.”

Illustrated Books
2003                 They Might Be Giants. Bed Bed Bed. New York: Simon & Schuster, 2003.

2002                 Henderson, Lee. The Broken Record Techniques. Toronto: Penguin Books Canada, 2002.
                            Hornby, Nick. Songbook. San Francisco, CA: McSweeney's Books, 2002.
                            Rushkoff, Douglas. Exit Strategy. New York: Soft Skull Press, 2002.

2001                  Fusselman, Amy. The Pharmacist’s Mate. New York: McSweeney’s Books, 2001.

Selected Bibliography
2005                Beatty, Emma and Gareth Harris. “What’s On: Rest of the World, Mexico.” The Art Newspaper
                          What’s On, (June 2005), p. 25.
                          Burwick, Carly. "Absolutely Fabulist." ARTnews, (October 2005), pp. 158-161. [ill.]
                          Cascade, Rebecca. “The Elle 25: Marcel Dzama – Art Boy Wonder.” Elle, (September 2005),
                          p. 326.
                          Camps, Marta. “The lotus eaters.” Suite, 55, (March 2005), p. 14.
                          Daniel, Noel. “Los Angeles: Richard Heller Gallery: The Royal Family.” contemporary, 70, (2005),
                          p. 63.
                          Dzama, Marcel. "Homeless," zingmagazine, Issue 20 (Winter 2005), pp. 201 - 215. [ill.]
                          Dzama, Marcel. "Marcel Dzama on William Blake's The Wood of the Self-Murderers: The
                          Harpiesand the Suicide (1824-1827)," Tate Etc. (Autumn 2005), p. 111.
                          Dumoulin, Kate. “Hype Sample – Winnipeg wunderkind” Flare (September 2005), p. 70.
                          Espinosa, Guillermo. “Marcel Dzama,” Vanidad, (February 2005), pp. 68-71.
                          Galloway, David. “‘Central Station’”, Reviews: International.” Artnews, (February 2005).
                          Geddes, Stuart. “Design Atlas: Exquisite Corpus.” Monument, no. 62 (August/September 2004), pp.
                          Gell, Aaron. “Innocence and Experience: Marcel Dzama Comes in from the Cold.” Vanity Fair,
                          (September, 2005), p. 224.
                          van der Kamp, Maarten. “De ordening van de wereld” mister motley: magazine over kunst (summer
                          2005), pp. 8-17.
                          Kunitz, Daniel. “Meet the New Folk” ArtReview (April 2005), pp. 44-45.
                          Lasky, Julie. “Charms,” International Design (December 2005), pp. 100-101.
                          Liss, David. “Canada: New Identities, New Territories.” arco, no. 35 (spring 2005), pp. 23-26.
                          Lubow, Arthur. “Beck at a Certain Age.” The New York Times Magazine, (Mar. 6, 2005), pp. 44-49.
                          Montornés, Frederic. “Un taxidermista surgido del Frio,” Suite, No. 31, (2005), pp. 34-35.
                          Neelon, Caleb. “The Royal Art Lodge.” Swindle (2005), pp. 54-59.
                          Neil, Jonathon T.D. “New York –– Marcel Dzama: The Course of Human History Personified.”
                          Modern Painters (November 2005), p. 106.
                          duPont, Lauren. “View: Adventures in Shopping - Marcel Dzama Drawings.” Vogue, (December
                          2005), p. 226.
                          Pareles, Jon. “Critic’s Choice: New CDs, ‘Guero’ Beck,” The New York Times, (March 21, 2005), p.
                          E5. [illustration]
                          Rosenberg, Karen. “Art: An Evening in Chelsea” New York Magazine (September 12, 2005), p. 156.
                          Schwendener, Martha. "Marcel Dzama." Time Out New York (Sept. 22-28, 2005), p.72.
                          Solomon, Deborah. "Drawn to Trouble: Marcel Dzama's twisted fairy-tale world comes to life." The
                          New York Times Magazine, (September 4, 2005), pp. 4, 42-45.
                          Spears, Dorothy. "Dzama in New York" Art on Paper, (November/December 2005), pp. 33-34 [ill].
                          Walker, Morley. “Beck Gives Dzama a Lift in New York Times Story,” The Winnipeg Free Press,
                          (March 9, 2005).
                          Weiner, Emily. “Painting the Town: Christmas in July” Time Out New York (July 21-27, 2005), p.
                          “Agenda – Marcel Dzama.” Amica, (November 2005), p. 47.
                          “Art / Listings – David Zwirner: Marcel Dzama” Time Out New York, (Sept. 8-15, 2005), p. 135.
                          “Creature Discomfort” W Magazine – Jewelry (December 2005), p. 56.
                          "Galleries –– Chelsea: Marcel Dzama" The New Yorker, (Sept. 19, 2005), p. 23.
                          “Goings on About Town – Museum of Modern Art” The New Yorker, (Sept. 19, 2005), p. 18.
                          “Marcel Dzama” The New Yorker, (Sept. 19, 2005), p. 23.
                          “Marcel Dzama and Jockum Nordström.” Tokion, No. 47 (March/April 2005), pp. 58-59.
                          “Personification” The New York Sun, (Sept. 21, 2005), p. 9.
                          "Presto Change-o: Creature Discomforts" W Magazine, (November 2005), p. 162.
                          “The Preview Matrix” New York Magazine (September 12, 2005), p. 118.
                           “The Royal Art Lodge” Swindle, No. 3, (2005), p. 54-59.

2004                Boudinot, Ryan, ed. HOBART #4, (Winter 2004-2005), [cover ill.]
                           Dault, Julia. “A Bestiary Like No Other.” National Post, (February 12, 2004), p. AL6.
                           Gavin, Francesca. “Gang Leader.” I-D, No. 246, (November 2004), p. 48.
                           Geddes, Stuart. “Exquisite Corpus: The Royal Art Lodge, Canada.” Monument, no. 62
                          (August/September 2004), p. 94.
                          Hackworth, Nick. “Bad Company,” Dazed & Confused, Vol. 2, Issue #19, (November 2004), pp.
                          100-107, ill.
                          Karlsson, Magnus. "Marcel Dzama." Ledmotiv, No. 1 (2004). pp. 38-45 [cover ill.]
                          Kim, Olivia. “King of Art: Marcel Dzama.” Tokion, No. 40 (March/April 2004), pp. 20-22.
                          Leith, Anne. “Marcel Dzama, Jockum Nordström.” Modern Painters (Spring 2004) p. 129.
                          McNally, Whitney. “Next Artist,” Details, Vol. 22, Issue 06, (April 2004), p. 172.        
                          Stern, Steven. “Marcel Dzama/Jockum Nordström.” Time Out New York, no. 431 (January 1-8,
                          2004), p. 53
                          Kim, Olivia. “King of Art: Marcel Dzama.” Tokion, No. 40 (March/April 2004), pp. 20-22.
                          “Marcel Dzama.” The New Yorker, (December 12, 2004), p. 16.
                          T.P. “Marcel Dzama.” Exit Express, No. 1 (February 2004), p. 10.

2003               Dunn, Melissa and Charles Gute. “The Royal Art Lodge: Ask the Dust.” Flash Art, Vol. 36 No.
                          229 (March –April 2003), p. 55.
                          Haddad, Natalie. “Without Boundaries.” Real Detroit Weekly, (December 17-23, 2003), p. 18.
                          Heller, Richard. “The Little People.” ArtReview, (May 2003), p. 54.
                          Herbert, Martin. “Marcel Dzama at Timothy Taylor Gallery,” Tema Celeste (2003).
                          Herbert, Martin. “marcel dzama.” Tema Celeste, No. 95 (January – February 2003), p. 97.
                          Lazarovic, Sarah. National Post (January 29, 2003).
                          Lovejoy, Bess. “Where the wild things are.” Resonance, No. 37, pp. 12-13.
                          Mays, John Bentley. “C’est la vie.” Canadian Art, Vol. 20 No. 1 (Spring 2003), pp. 66-72.
                          Pollack, Barbara. “The New Visionaries.” ARTnews, Vol. 102 No. 11 (December 2003), pp. 92 –                                    
                          Rosenberg, Karen. “Talent: Queer as Folk.” New York magazine, (December 15, 2003), p. 98.
                          Saltz, Jerry. “A Survey of Drawing on the Rise Paper Trail.” Village Voice, (January 29-February
                          4, 2003), p. 56.
                          Stern, Steven. “The imaginative faculty,” Time Out NY (February 13 - 20, 2003) p. 59.
                          Trainor, James. “Winnipeg on the Hudson.” BorderCrossings, vol. 22 no. 3 (August 2003), p. 36-
                          Whyte, Murray. “Making Art Around the Hearth While Warding Off the Chill,” The New York
                          Times (January 19, 2003) section 2.
                          Whyte, Murray. “Wanted: ‘Anonymous’ Canadian art,” Toronto Star (January 19, 2003).
                          Wilson, Jill. “Prairie Renaissance.” Utne Arts Extra, (2003), pp. 40-41.
                          “Don’t Miss… Marcel Dzama, New Work.” Time Out New York, No. 428 (December 11-18, 2003),
                          p. 57.
                          “The Royal Art Lodge,” The New Yorker (February 10, 2003).
                          “The Bear Facts.” BorderCrossings, vol. 22 no. 3 (August 2003), p. 11-12
                          Ten by Ten (Winter/Spring 2003), Volume 2, Number 2, p. 38-39. (only images)
                          “The Royal Art Lodge.” The New Yorker, (February 10, 2003), p. 20.
                          “The Royal Art Lodge.” Zingmagazine, Issue 18, (Winter/Spring 2003).

2002                Booth, Hannah. Dark horse, Design Week (October 24, 2002).
                           Borins, Daniel. “New Canadian Folk.” C International Contemporary Art, No. 72 (Winter
                           2001/02), pp. 13 – 16.
                           Dzama, Marcel. “Marcel Dzama’s Winnipeg.” EnRoute (Air Canada), (October 2002), p. 105.
                           Edwards, Charolette. “Canada Dry.” ArtReview, (November 2002), p. 41.
                           Enright, Robert. Canada>> the next generation: Marcel Dzama, Time (October 14, 2002) p. 65.
                           Honigan, Ana Finel. Fantasyland. Time Out NY (June 20 - 27, 2002), Issue No. 351, p. 60.
                           Kimmelman, Michael. Fantasyland. The New York Times (June 14, 2002), E38.
                           Laurence, Robin. “The Royal Art Lodge.” Canadian Art, Vol. 19 No. 1 (Spring 2002), pp. 92-96.
                           McSorley, Tom. “Film (dzama).” Take One, No. 35 (December 2001 – February 2002), p. 54.
                           O’Sullivan, Michael. “The Corcoran Biennial: Dramatic License,” The Washington Post.
                           (December 27, 2002). P.WE38.
                           Harper's Magazine (June 2002), p. 22. (only images)
                           Cabinet Magazine (Winter 2002/2003), pp. 95 - 98. (only images)

2001                 Dzama, Marcel. “Top Ten.” Artforum, (October 2001), p. 59.
                           Farber, Neil. The New Yorker. (July 23, 2001)
                           Sommerman, Eileen. Looking at Dzama. Canadian Art. (Summer 2001), p. 92.
                           McEwen, Adam. “People are strange. Adam McEwen on Marcel Dzama.” Frieze. (May 2001),
                           pp. 66-67.
                           Roenisch, Clint. Marcel Dzama: More Famous Drawings. dART International. (Spring 2001),
                           Vol. 4, No. 2, pp. 16 - 17.
                           Leffingwell, Edward. “Marcel Dzama at David Zwirner.” Art in America. (February 2001),
                           Hanna, Deirdre. Drawing Power: Marcel Dzama. Now, Toronto's Independent Weekly. (February
                           22 - 28, 2001), Issue 997, Vol. 20, No. 25.
                           Hanna, Deirdre. “Art 2001. Top 10.” Now. (December 27, 2001)
                           Ferm, Thomas. Sex fragor till Marcel Dzama. Presens. (2001), No. 1, p. 44.
                           Matthews, Kevin. “Marcel Dzama.” Agent. (Fall 2001), p. 15.
                           McSorley, Tom. “Short Takes: Film (Dzama).” Take One. (December 2001), p. 54.
                           Molinari, Guido, “Marcel Dzama.” Flash Art (Italy). (Aug/Sept 2001)
                           Lacapola, Monica. “L’humor nero di Marcel Dzama.” Zero + Arte. (July 13, 2001)
                           Sommerman, Eileen. “Looking at Dzama.” Canadian Art, Vol. 18 No. 2 (Summer 2001), p. 92.
                          “Akvareller.” Lyrikvannen. (May 2001), p. 20.
                          “Dzama, fumetti nobili.” La Republica. (June 2001)

2000                Eggers, Dave. After Wham! Pow! Shazam! Time Magazine. (November 26, 2000), p. 10.
                           Lehmann, Henry. Odd menagerie of archetypes. The Gazette, Montreal. (October 14, 2000), J6.
                           Mavrikakis, Nicolas. L'enfance de l'art. Voir (October 12 - 18, 2000), p. 62.
                           Shaw, Lytle. “Marcel Dzama and Jockum Nordström.” Time Out New York. (October 5-12, 2000)
                           McLeod, Dayna. Ride'em Sea Monkey! hour (September 28 - October 4, 2000), p. 37.
                           Delgado, Jerome. L'univers onirique de Marcel Dzama. La Presse, Montreal. (September 30,
                           2000), D16.
                           Smith, Roberta. “Marcel Dzama and Jockum Nordström.” Art in Review. (September 29, 2000)
                           Errett, Ben. The silly, sinister world of Marcel Dzama. The McGill Daily. (September 25, 2000),
                           pp. 8-9.
                           Butvin, Marnie. Marcel Dzama: More Famous Drawings. Artichoke. (Fall/Winter 2000), pp. 26-
                           Vesuwalla, Peter. Dali, Dzama. Uptown. (August 24, 2000), p. 9.
                           Olynyk, Justin. Marcel Dzama, More Famous than ever. The Manitoban. (June 28, 2000), p. 12.
                           Harnett, Shamona. Hot new artist. Winnipeg Free Press. (June 8, 2000), D5.
                           Butvin, Marnie. More Marcel. Uptown. (June 8, 2000), p. 12.
                           Dualt, Gary Michael. “A little too good? No way.” Toronto Globe & Mail. (February 12, 2000)
                           Abbe, Mary. Odd, Canada! Star Tribune, Minneapolis. (January 21, 2000), pp. 11-12.

1999                 Shaw, Lytle. “Marcel Dzama and Jockum Nordström.” Time Out New York. (October 5-12, 1999)
                           Barham, Scott. Sit(E)ings is amusing, graceful. Saturday Free Press, Winnipeg. (August 14,
                           1999), B4.
                           Enright, Robert. “The Wizard of Odd.” Saturday Night, (November 1999), pp. 76-82
                           Pagel, David. “Darker Drawings”, review of solo show at Richard Heller Gallery. Los Angeles
                           Times. (June 18, 1999), p. 24
                           Untitled Drawings: Marcel Dzama. Zingmagazine. (Spring/Summer 1999)
                           Rosenberg, Jeremy. Maple Leafs to Lone Rangers. dART International. (Spring/Summer 1999),
                           p. 23.
                          “Clothes Encounters.” V Magazine, (November/December 1999).

1998                Zinman, Greg. Where the Wild Things Are. Swing. (November 1998), Vol. 4, No. 10., p.33.
                          Enright, Robert. Walking the line. Globe and Mail, Winnipeg. (November 7, 1998)
                          Harrison, Riva. “Artist Profile Feature.” Winnipeg Sun. (September 29, 1998) pp.16-17.
                          “Dzamatizations : The Drawings of Marcel Dzama.” Bordercrossings. (July 1998), pp.36-41.
                          Ornelas, Rodolfo B. & Tom Reel. On the Scene. San Antonio Examiner. (July 15, 1998)
                          Enright, Robert. “Feature Portfolio.” Border Crossings Magazine (Summer 1998) pp.16-24
                          Forgács, Éva. “Marcel Dzama.” Art issues, No. 52 (March/April 1998), p. 42.
                          Coagula Art Journal, (March - April 1998), Issue #32, p. 37.
                          Rockwell, Steve. “Marcel Dzama.” D’Art International, Volume 1, no. 2. (April, May, June 1998),
                          Scanlon, Molly. “Review.” NY Arts, No. 21, (May 1998), p. 30
                          “Voice Choices.” The Village Voice. Vol. XLIII No. 15, (April 14, 1998), p. 70
                          “Goings on About Town.” The New Yorker. (April 13, 1998), p.16
                          Smith, Roberta. “Marcel Dzama.” The New York Times, (April 10, 1998), p. E39
                          Stevens, Andrea. “Marcel Dzama, Modern Renaissance Man.” Bleach Magazine, (May 1998), pp.
                          30-35 (ill.)

1997                Pagel, David. “Amiss and Lively”, Los Angeles Times. (July 18, 1997), section F, p. 24
                          Pagel, David. “Filling in the pieces of Dzama’s Drawings.” Los Angeles Times. (January
                          16, 1998), section F, p. 28

Catalogues and Books
2005                 Barcelona, Spain. Fundació Trenta Quilòmetres Per Segon, Armpit of the Mole, 2005.
                           Cologne, Germany. Walter Konig. Marcel Dzama: Paintings and Drawings, 2005. Text by Catrin
                           Dublin, Ireland. The Douglas Hyde Gallery. Serpentine Musings, 2005.
                           London, England. Phaidon Press. Vitamin D, 2005. Text by Emma Dexter.
                           New York, NY. David Zwirner. The Course of Human History Personified, 2005. Texts by Jason
                           Rosenfeld & Jason Tougaw.
                           Padova, Italy. Perugi artecontemporanea. Pensieri dei serpenti, 2005. Text by Guido Bartorelli.
                           Paris, France. La Maison Rouge, Paris and Fage Editions, Lyon. Central Station: Collection Harald
                           Falckenberg, 2005. Text by Laurence Dreyfus.
                           San Antonio, TX. Artpace. Artists Salute Artpace, auction catalogue, 2005.
                           Zurich, Switzerland. Arndt & Partner Zurich. Security Check: Painting After Romanticism, 2005.
                           Texts by: Amélie von Heydebreck, Florian Illies and Silke Hohmann.

2004                 Dublin, Ireland. The Douglas Hyde Gallery. Huts, 2004. Texts by Michael Hinds and John
                            Frankfurt, Germany. Galerie Hubner. Die Ungeschriebene Wachkriegsgeschichte Der Zeichnung,
                            2004. [includes image CD]
                            Ipatinga, Brazil. Insituto Cultural Usiminas. Perfil de una coleção, 2004. Text by Bruce Chatwin.
                            Meunchen, Germany. Kunstraum Meunchen and Kunstverein Wolfsburg. Strips & Characters,
                            2004, ill.
                            New York, NY. Tate. American Patrons of the Tate: Annual Report 2004, 2004.
                            Santa Monica, CA. Richard Heller Gallery. The Royal Family, 2004. ill.
                            London, England. Timothy Taylor Gallery. Marcel Dzama: The Last Winter, 2004.
                            Cologne, Germany. Sies + Höke. Marcel Dzama: Paintings and Drawings, 2004. Text by Catrin
                            Vancouver, B.C., Canada. Vancouver Art Gallery. For the Record: Drawing
                            Contemporary Life, 2003. Text by Daina Augaitis.
                            Madrid, Spain. PHE04 Historias, International Festival of Photography and the Visual Arts, 2004.

2003                 Bologna, Italy. Hybris S.r.1., Animal Appeal: Uno Studio Sul Teriomorfismo, 2003. Texts by
                            Roberto Marchesini and Karin Andersen.
                            Kraichtal-Unteröwisheim, Germany. Ursula Blickle Stiftung. Diaries & Dreams: Arbeiten auf
                            Papier, 2004.
                            New York, NY. The Drawing Center. Royal Art Lodge: Ask the Dust Dictionary of Received Ideas,
                            2003. Text by Wayne Baerwaldt, Joseph R. Wolin & Lytle Shaw.
                            Padova, Italy. Perugi artecontemporanea. Marcel Dzama and Neil Farber: Daily Apocalypse, 2003.
                            Text by Daniela Lotta.
                            Pescara, Italy. Rizziero Arte. Welcome to Winnipeg, 2003.
                            San Francisco, CA. McSweeney’s Books. Marcel Dzama: “The Berlin Years”, 2003. Introductions
                            by Sarah Vowell and Viggo Mortensen.
                            Vancouver, Canada. Vancouver Art Gallery. For the Record: Drawing Contemporary Life, 2003.
                            Text by Daina Augaitis.

2002                 New York, New York. The What to Expect Foundation. Expect: Art, 2002.
                            London, England. Timothy Taylor Gallery. Drawings for Dante, 2002.
                            San Francisco, CA. McSweeney’s Books. Songbook. 2002. Text by Nick Hornby.
                            Washington, D.C. Corcoran Gallery of Art. Fantasy underfoot, 2002. Texts by Jacquelyn Days
                            Serwer, Jonathan P. Binstock, Billy Collins, and Adam Lerner.
                            Winnipeg, Canada. The Winnipeg Art Gallery. Short Stories, 2002. Text by James Patten.

2001                  Bergamo, Italy. Galleria of Modern and Contemporary Art. IN FUMO, 2001. Text by Giacinto Di
                            Brandon, Canada. Art Gallery of Southwestern Manitoba. W5: Five Winnipeg Artists Spanning Five
                            Generations, 2001. Essay by Chris Reid
                            Chicago, IL. Carrie Secrist Gallery. Amused, 2001.
                            Madrid, Spain. Galeria Espacio Minimo. Paperview, 2001.
                            New York, NY. Zing Magazine. The Good, the Bad and the Ugly: A Spaghetti Western, 2001.
                            Padova, Italy. Perugi Artecontemporanea. The Royal Art Lodge. 2001. Text by Guido Bartorelli.

2000                 Toronto, Canada. Art Core Gallery. Canada 3 Perspectives, 2000. Text by Gary Michael Dault.
                            Minneapolis, MN. Minneapolis College or Art and Design. Greetings from Winnipeg, 2000. Texts
                            by Robert Enright and Brian Szott.
                            New York, NY. Barbara Gladstone Gallery. Drawings 2000 at Barbara Gladstone Gallery, 2000.
                            Text by Klaus Kertess.

1999                 Canada. Plug In Editions. More Famous Drawings, 1999.
                           Canada. Winnipeg Art Gallery. Sit(E)ings: Trajectories for a Future, 1999. Texts by Shirley
                           Madill, Serena Keshavjee, Cliff Eyland, Rafael G. Moriana, Vera Lemecha, and Libby

1998                 Los Angeles, CA. College of Neglected Science. Ribot 6: over 60 under 30, 1998.
                           Santa Monica, CA. Smart Art Press. Famous Drawings Present: Marcel Dzama, 1998. Text by
                           Wayne Baerwaldt


RICHARD HELLER GALLERY    phone:  310-453-9191   |   email: